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13th August 2017
By his own admission, Morris’ university years were the happiest of his life. Studying at Oxford University, he went to Exeter College to study theology. He passed the degree, though as stated in our last blog, he didn’t rave about the academic tuition at university, but the opportunities he took advantage of here were the real asset of his university education.
Oxford in the early 1950s when Morris was living there was a true medieval city. The beautiful buildings we see today would have been even more so as they weren’t restored in any way. Morris despised when beautiful architecture was ruined by modernity, in his letter to the Daily News dated the 20th November 1885, he wrote a letter pleading that, ‘the few specimens of ancient town architecture which they have not yet had the time to destroy… Oxford thirty years ago, when I first knew it, was full of these treasures.’ This letter was written at a time where he was petitioning for the conservation of the city churches, Westminster Abbey, Rouen and Chichester and Peterborough Cathedrals.
He described the lasting impression Oxford had on him as it’s, ‘memory has been an abiding influence and pleasure in my life.’ Perhaps this best of all describes his feelings towards the time in one sentence. He met lifelong friends here – one of the most notable was one of his best friends Edward Burne-Jones. They met at the entrance exam when Burne-Jones noticed Morris had handed in his exam paper early. Some of his most incredible work was done in collaboration with Burne-Jones, as was some of his favourite travels. He was also a key figure to Morris’ career – introducing him to a number of is friends – one of which was Charles Faulkner who would be his business partner in Morris, Marshall, Faulkner & Co. Also part of their university friendship group was William Fulford, Cormell Price (Crom) and R.W.Dixon who officiated at Morris’ wedding to Jane.
During this time, the Pre-Raphaelite Brotherhood really comes into the spotlight for the first time in Morris’ story. Learning of the group through the Brotherhoods magazine, ‘The Germ’ and also via John Ruskin’s Modern Painters and his Edinburgh Lectures (1854.) It was Ruskin’s writings that fascinated Morris and his friendship group, his ideas influencing them. According to the book ‘William Morris’ by Helen Dore, “Ruskin’s The Stones of Venice (1853) with its view that medieval buildings reflected the freedom of the workman, later to be dispelled by the Renaissance with its ultimately destructive division between architect and craftsman, made a substantial contribution towards Morris’s later artistic vision: the medieval workman deriving genuine please from his work remained the prototype for Morris’s concept of the modern craftsman/designer. Forty years later he acknowledged his debt to Ruskin in this respect.” (Page 25) In Kelmscott Press’s reprint of ‘On the Nature of Gothic’ from The Stones of Venice, he wrote, ‘it seemed to point out a new road on which the world should travel. The lesson that Ruskin here teaches is that art is the expression of man’s pleasure in his labour.’
As an undergraduate, Morris was already writing poetry, to an enthusiastic and supportive response from his friends. He actually published a selection of his early poetry in The Defence of Guinevere in 1858. After his 21st birthday, he came into £900 annuity which was an incredible amount of money at this time, which gave him the opportunity to provide financial support for a monthly student review. This was called The Oxford and Cambridge Magazine which allowed Morris and his friends to get published and hone their writing skills.
His apprenticeship, following the completion of his degree was with G.E. Street, an architect and leading figure in the Gothic Revival. Whilst here, though he only stayed a few months (due to his restless nature in an office environment) and didn’t finish his training, he met Philip Webb who was the senior clerk. True to the form of his university years then, it wasn’t all about what he learnt, but who he met, and Webb became a life long friend with whom he collaborated with on many projects. Morris moved to London when Street moved his practice there, moving in with Burne-Jones and when they were unable to find furnishings that suited their tastes in Red Lions Square. They were inspired to create their own, something that would ultimately lead to the creation of ‘The Firm,’ after this continued when Morris moved to his next home, Red House. The pair at this time formed friendships with both Ruskin and Rossetti.
There’s an account of Morris during the time of his apprenticeship, from him to May (Morris’ daughter), “I was told… in the office to help your Father, and this was done pleasantly and easily as we understood each other at once. When a difficult point arose your Father would beat his head with his fists, till I thought it would stun him.”
Morris remained passionate about architecture all his life, considering the art to be the ‘supreme master craftsman’ and the decorative arts he became famous for, to have meaning only in relation and response to the architecture. This is true when we take a look at his work with Philip Webb – working closely together, Morris appears to have a deep respect for Webb and his craft.
Posted in News by Laura
It’s coming home! 🏴 To celebrate, take 15% off our website all weekend with code: HOME at checkout ⚽️ Hurry it ends Tuesday 🌿
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#williammorris #england #itscominghome⚽️ #britishbusiness #floralprint
The latest project, a little quilted jacket! ✨ Our William Morris Merton Blue cotton fabric is looking gorgeous, we’ll show you it when it’s finished ☺️ Remember if you’re quilting, our cotton fabric is perfect for the projects and we have lots of complimenting designs and colour ways within our range! 🪡
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#merton #quiltedjacket #quiltingfabric #quiltingfabrics #fabricstack
We’re often asked what the different weights of our fabrics are and what projects they’d be good for. These are our three different types of fabrics in our Brother Rabbit red colourway - cotton on the right, heavyweight in the middle and pvc on the left ✨ As you can see on the second photo, and as the name suggests, our heavyweight fabric has a thicker, heavier weave which makes it good for projects such as curtains and light upholstery 🪡 Our cotton fabric is perfect for quilting and projects such as dress making but honestly the amount of crafts that can be made out of them both are endless! 🫶🏻 Our pvc fabric is great to put straight on the table as it won’t fray so doesn’t need a hem and is easy to maintain as it’s wipe clean! All our fabrics are sold by the half metre and if you’d like a sample of any of our fabrics in any weight just let us know and we’ll get a free sample sent to you! 💌
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#williammorris #cottonfabric #quiltingfabric #curtainfabric #ukfabric
Our William Morris range is a gorgeous mix of colours and florals, which is your favourite? In some designs such as Strawberry Thief, Brother Rabbit, Willow Bough and Mallow we have different colour ways that we digitally print in the UK so check our website for the full range! 🫶🏻
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#williammorris #preraphaelite #quiltingfabric #fatquarters #britishbusiness
Perhaps the most famous Morris design, Strawberry Thief was registered in 1883, inspired by Morris watching the thrushes stealing strawberries from under his fruit nets at the beautiful @kelmscottmanor 🍓 It was printed using the indigo dye technique, which was labour intensive and first attempted in 1875 but not perfected for 8 years 🎨 We also print Strawberry Thief in a beautiful red 🫶🏻
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#strawberrythief #historicdesigns #britishdesign #kelmscottmanor
Gorgeous Golden Lily, designed in 1897, it’s been a timelessly popular design ever since but did you know that it really increased in popularity in the 1960s when the Beatles George Harrison wore a Golden Lily shirt? ✨
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#goldenlily #wmorris #georgeharrison #englishsummer #englishdesign
Daisy is a special one to many as it was the second ever design Morris created, in 1864, made up of repeating drawn Meadow Daisies 🌼
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#morrisandco #preraphaelite #preraphaelites #daisy #daisydesign
We print Willow Bough in this beautiful blue and also in green 🌿 First designed in 1887, it was first produced as a wallpaper design which May Morris, Williams daughter, used to decorate her bedroom before being adapted for fabric in 1895 when it was block printed in Merton Abbey 🌿
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#maymorris #mertonabbey #mertonabbeymills #willowbough
Trellis is a special design as it was the first wallpaper he designed for his company, Morris & Co. In 1864 🌿 It was inspired by the rose trellis in the garden of his stunning home @redhousent that he co designed with his friend and architect, Philip Webb
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#philipwebb #redhouse #trellis #rosetrellis
We print Mallow in a wine colourway and this beautiful forest green colour ✨ It was first printed in 1879 and used to hang in the wonderful Arts & Crafts home, @standennt in the Croxley bedroom 🫶🏻
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#a
you’ve got to make everything an event, including breakfast! 🥐
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On the table;
Willow Bough blue placemats- £38.99
Willow Bough blue napkins- £20.99 ✨
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#williammorris #williammorrisdesign #willowbough #preraphaelites #floralhome
Have you seen our forest green colourways of Mallow and Brother Rabbit? 🌿 We brought them out last year and were so happy that they’re ever so popular with everyone 💚 This week we’ve also got a 10% discount running on our website with code: floralsummer 🌅
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#williammorris #williammorrisfabric #wmorris #williammorrisdesign #preraphaelite
Did you know all our fabrics are printed and all our products manufactured in the UK? 🤍 It’s important to us that our William Morris fabrics are all high quality and the printed colours all beautiful to ensure all his designs live on timelessly to a high standard 🇬🇧
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Products featured; our Daisy William Morris tea towel - £10.99 ✨
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#williammorris #wmorris #morris #floralteatowel #floralhome
A moment for the greens! 💚 Can you name all these beautiful green William Morris designs? 🌿 All digitally printed here in the UK 🇬🇧 The good thing seeing them all together is you can see which work together for a sewing project or quilt, or layered together for your next tablescape! 🫧
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#williammorris #williammorrisdesign #williammorrisfabric #preraphaelites #floralfabrics
Did you know we do bundles of our fabric offcuts? 🌿 Perfect for sewer and quilters, they’re various sizes and designs and available on our Etsy and website - this is our latest “almost fat quarter” bundle that all are almost 50cm pieces, you could even make double sided cushions or anything! What would you create? 🪡🧵 (message us if you’d like a link to our bundles!🫧)
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#williammorris #fatquarters #fatquarterbundle #preraphaelite #quiltingcotton
With this hot weather upon us, if you’re like us and using it to get all your washing out and dry, we thought we’d tell you our washing guidelines! 🫧 We’d recommend folding your fabric face to face when in the wash (so pattern side to pattern side!) to protect the print and then wash at 30 degrees, hang on the line to dry! 🧺 All our fabrics are digitally printed in the UK and products manufactured in the UK 🇬🇧
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#williammorris #goldenlily #flowerscape #wmorris #preraphaelite
All our wonderful William Morris fabrics are digitally printed here in the UK, creating high quality print in incredible colour ways, if you’re quilting and crafting from our cotton and heavyweight cotton fabrics, we thought it’d be handy to have all the pattern repeats in an easy to save post ☺️
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#williammorris #craftingfabric #quiltingfabric #floralfabrics #patternfabric
Merton in blue is one of the most beautiful William Morris designs, a timeless blue and white, it was first designed in 1888!
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#williammorris #wmorris #morrisdesign #merton #preraphaelite
If you’d like a sample of Merton, just send us a message and we’ll get one sorted out for you!
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#williammorris #floralfabric #blueandwhite #blueandwhitefabric #tablescape
Have you seen Merton before? It’s so underrated as a Morris design we think! It was actually the first design that he printed on rotary screens under the name “Morris & Co.” After their rebrand from “Morris, Marshall, Faulkner & Co.’” 🌿 We’re just appreciating it during peony season!
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#peony #peonyseason #morris #morrisandco #preraphaelites
Taking a closer look at beautiful Lily design, a timeless design Morris designed in 1874, if you’d like a sample of Lily, just let us know! 💌
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The table details;
Lily napkins- £16.99 for 4
Lily tablecloths- starting from £29.99 depending on size
Also mentioned;
Lily cotton by the half metre- £9.25
Lily heavyweight cotton by the half metre- £10.25
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#williammorris #wmorris #preraphaelites #lily #quiltingcotton
When cutting fabric stacks, we always wonder what is being made from them, we often get messages about quilts being stitched together with various tonal colours, curtains ready to be part of daily life or dresses being sewn to be worn to the next big event, so if you ever make anything from our fabrics- whether it be a huge project or a tiny one made of our scrap bundles, do let us know what you make! 🪡🧵
Can you name the designs within the photo? All sold by the half meter, £18.50 per metre of cotton, £20.50 per metre of heavyweight cotton 🫶🏻
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#williammorris #wmorris #morrisfabric #floralfabric #quiltingcotton
Putting the spotlight on Mallow Forest Green, we love this design so much it’s so effortlessly beautiful, it’s been admired in homes for more than 147 years since William Morris designed it ✨
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The table details;
Mallow napkins- £16.99
Mallow tablecloths- starting at £29.99 depending on size
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#williammorris #weddingtablescape #weddingtableflowers #preraphaelites #artsandcraftsmovement
Mid week tables require; a vase of gorgeous fresh flowers, as many sweet treats as you can get your hands on, and of course, a gorgeous tablecloth set- this Willow Bough blue is one of our all time favourite William Morris designs, it’s utterly timeless and so beautiful 🌿
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The table details;
Willow Bough blue napkins- £16.99
Willow Bough tablecloths- starting at £29.99 depending on size
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#williammorris #williammorrisdesign #willowbough #englishdesign #myfloralhome
A little update from us 🇬🇧
From 1st July, our product prices will be increasing due to continued rises in manufacturing and material costs.
We’ve worked hard to absorb these increases for as long as possible, but to continue providing the quality you expect from us, a small price adjustment is now necessary.
Every product we create is proudly printed and manufactured here in the UK, using high-quality materials and processes that ensure a finish we’re proud of. Our fabrics are all digitally printed to give a crisp finish.
If you’ve been thinking about placing an order, now is the perfect time — all orders placed before 1st July will be at our current prices.
To thank you for your support, we’re offering an exclusive discount before the new prices take effect.
Use code: thankyou
Enjoy 10% off your order until 14th June
This is the perfect opportunity to place your order at current prices and enjoy an additional saving before the increase.
Thank you for supporting a UK small business and for choosing quality. We truly appreciate every order ❤️
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#uksmallbiz #madeintheuk #williammorris #fabricstore #floralfabric
Aren’t these the most gorgeous blooms!! 🫶🏻 This is our William Morris Compton design and it’s so underrated as a design, it’s beautiful year round because all the different details can be brought out of it, pair it with springtime greens to pop the green tones or autumnal burnt oranges during the colder months, it’s so versatile! ✨ Swipe to see my little photoshoot gatecrasher 😂
All our products are digitally printed and manufactured in the UK 🇬🇧
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#williammorris #williammorrisdesign #compton #artsandcraftsmovement #cottagecorekitchen
Bringing nature indoors, we our gorgeous oven gloves thrown over the cooker- a chic way to make something practical beautiful too! 🫶🏻
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#williammorrisfabric #williammorris #wmorris #floralkitchen #pimpernel
Gorgeous postbox 📮 If you’d like a free sample of any of our fabrics just send us a message and we’ll get them sent out to you 💌 If you’re ordering from abroad, we will always take the parcel to the post office to make sure we’re comparing different postage methods to get the best postage prices for you- we’re wanting to spread the floral goodness global! Today I pottered to the post office to send a lovely pvc apron to Australia which is amazing that Morris is well known world wide! 🐨🦘🇦🇺
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#williammorris #williammorrisdesign #smallukbusiness #fabricdesign #postboxesofinstagram
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