FAQs

Your Cart

Close
Paper Plane Your order qualifies for free standard delivery
Subtotal £0.00
Delivery £0.00
Order Total £0
Checkout Securely

Webb’s Early Years…

22nd January 2016

Welcome to part two of our Philip Webb chronicle! We’re concentrating on his early years in this blog, his friendship to Morris at this formative time was important and we look to explore this more as well as understand how both Webb and Morris rose to be such influential figures in their crafts- before they could do this, they had to learn their trade…

On the 16th May 1854, Webb began work at G.E. Street’s office- his salary? £1 a week- I bet we all wish such a an architect was a pound a week! It wasn’t until 1856 that Morris and Webb met, when Morris went to work for G.E.Street in Oxford, whilst Webb was the senior assistant. It has been recorded that Webb described Morris as, “a slim boy, like a wonderful bird just out of his shell.” It was these two who were to become the Art and Crafts movements most influential pioneers. It was around this time that Webb and Morris took up the crafts that would make them famous over a hundred  years after their deaths for the talents they possessed- the crafts included carving, wood-engraving, embroidery and clay-modelling. Morris was inspired by John Ruskin who designed many beautiful Gothic buildings, and upon finishing his degree he devoted his life to architecture.

15-philip-speakman-webb-by-charles-fairfax-murray-c2ac-national-portrait-gallery-london

Portrait of Philip Webb by Charles Fairfax Murray. ©National Portrait Gallery, London

Morris didn’t enjoy the work in Street’s office, he found the measured drawings tedious and difficult. Webb and Morris continued their friendship as Webb showed him his favourite haunts in Oxford, taking him to old churches and showing him the architecture around them. They formed a close friendship which would last until Morris’ death, and have important affects on English architecture, interior design and the preservation of historical buildings. The book Philip Webb, ‘Pioneer of Arts & Crafts Architecture’ by Sheila Kirk summarises their friendship wonderfully, “Their personalities were complementary. Morris, usually somewhat unkempt, was mercurial, rebellious, vehement, and prone to sudden enthusiasms which he pursued with an egotism Webb described as ‘amusing and childlike’, and to sudden violent rages in which he sometimes damaged himself and the furniture. Webb, a tall, slim man with a serious, intelligent and kindly expression, was extremely reticent, of equable temper, self-controlled, slow to form or change his beliefs, and careful of his appearance. Both men were steadfast on matters of principle, loyal, sincere, lacking in pettiness, and wholly without pretence, with a strong aversion to the artificiality of formal social occasions.” (Kirk, 2005, P.15)

When Burne-Jones first met Webb, he apparently was suprised he was of the same age as him as when Morris described his friend from work he spoke of him as a, “very fine old fellow in the office.” (Kirk, 2005, p 15) Morris left Street’s office in 1856, he was tired of architecture full time, and though it remained a passion, he preferred to create things with his own two hands- though an architect designs the property, they don’t create it, and so he left to pursue painting.

phil

Philip Webb’s drawing instruments. Accepted by HM Government in lieu of inheritance tax and allocated to the National Trust for display at Red House, 2014. ©National Trust/Sophia Schorr-Kon

The Pre-Raphaelite Brotherhood, begun in 1848 had been disbanded by 1856, but, “a wider circle of painters, centred round Rosetti, had espoused its ideal of portraying people and events in the colours and attitudes of real life instead of the formal conventionalised postures and arrangements, with colour subordinated to drawing, demanded by the royal academy.” (Kirk, 2005, p15)

Webb was, by all accounts, a lovely man. He was immensely kind, honest, and was hugely supportive of his friends successes. When someone was worse off than him, he made a point to help them out even if he didn’t have it himself, he was known for giving money as ‘gifts’ not loans, so only if someone came into good fortune were they to repay him. When Morris set up the Kelmscott Press in 1891, Morris insisted on giving Webb a copy of every book he published, so Webb bought a copy of every book published to lend to friends so Morris wouldn’t financially suffer from his generosity. Sydney Carlyle Cockerell, the secretary of Morris’ Kelmscott Press from 1891-1896 recalled Morris referred to Webb as, “the best man that he had ever known.” (Kirk, 2005, p16.)

After Morris met and married Jane Burden, Burne-Jones engaged to Georgiana Macdonald and Rossetti to Elizabeth Siddall, Morris decided to build a house in the country to realise his and Burne-Jones’ dream of a monastic establishment, calling themselves the brotherhood. This had to be revised once the men married, and the dream would be realised on a part time basis. This house remains today as Red House, which we will focus on in our next blog, and is now a beautiful National Trust property which we would highly recommend visiting.

The_Red_House,_Bexleyheath

Webb met Faulkner when they were both painting the Debating Hall, and in 1858 Faulkner, Webb and Morris took a trip to Paris, which has become a famous holiday as the three were heavily inspired whilst in France, Webb returned to England with not only an intensive knowledge of British buildings, but now also an awareness of French churches, castles and townhouses. Taking a month to complete, the three rowed from Paris to Caudebec, the boat arrived with a hole in it from Oxford, to Morris’ fury. “They hoisted sail in favourable winds, slept at inns, and stopped to explore towns and make short excursions. It was an unusual and adventurous holiday, involving not only he studying of medieval architecture but also hilarious battles with soda-water syphons, a leaking boat, being stranded in a lock because Morris had angered the lock-keeper, and a narrow escape from being shipwrecked by the tidal bore.” (Kirk, 2005, p.19)

Our next blog picks up the story after the friends return from their trip!

Related Articles

Post Title

The inspiration for Jane Eyre

  Charlotte Bronte visited Hathersage in 1845 and it is believed that she based Jane Eyre’s surname on the local family of the same name. ...

Post Title

Tour de Yorkshire

Tomorrow is the start of the Tour de Yorkshire. After the wonderful Grand Depart we are excited to welcome the cyclists back to Yorkshire. We...

Post Title

“Quality is never an accident; it is always the result of intelligent effort.” – John Ruskin

Born on this day in 1819, John Ruskin remains remembered as one of the most influential intellectuals and activists of the Victorian Age. You may...

Gorgeous Mallow Forest Green in the sunshine this week ☀️ Our heavyweight fabric is so versatile with so many crafts, what will you make? 🧵
•
•
•
#williammorris #williammorrisdesign #williammorrisfabric #greenfloral #craftingfabrics
Wrap an order with us for a custom bundle of some wedding table linens 🌿 These Mallow Forest Green napkins and a custom table runner are now on their way to a customer to adorn their wedding tables, we’re so pleased to be involved in the tables of a few weddings this year! 🤍 If you are looking for gorgeous timeless William Morris florals for your tables, get in touch we’d love to discuss it with you ✨ 
•
•
•
#williammorris #weddingtablescape #weddingtables #weddinglinens #weddingtablescape
It’s coming home! 🏴󠁧󠁢󠁥󠁮󠁧󠁿 To celebrate, take 15% off our website all weekend with code: HOME at checkout ⚽️ Hurry it ends Tuesday 🌿
•
•
•
#williammorris #england #itscominghome⚽️ #britishbusiness #floralprint
Have you seen our forest green colourways of Mallow and Brother Rabbit? 🌿 We brought them out last year and were so happy that they’re ever so popular with everyone 💚 This week we’ve also got a 10% discount running on our website with code: floralsummer 🌅
•
•
•
#williammorris #williammorrisfabric #wmorris #williammorrisdesign #preraphaelite
A moment for the greens! 💚 Can you name all these beautiful green William Morris designs? 🌿 All digitally printed here in the UK 🇬🇧 The good thing seeing them all together is you can see which work together for a sewing project or quilt, or layered together for your next tablescape! 🫧
•
•
•
#williammorris #williammorrisdesign #williammorrisfabric #preraphaelites #floralfabrics
Did you know we do bundles of our fabric offcuts? 🌿 Perfect for sewer and quilters, they’re various sizes and designs and available on our Etsy and website - this is our latest “almost fat quarter” bundle that all are almost 50cm pieces, you could even make double sided cushions or anything! What would you create? 🪡🧵 (message us if you’d like a link to our bundles!🫧)
•
•
•
#williammorris #fatquarters #fatquarterbundle #preraphaelite #quiltingcotton
When cutting fabric stacks, we always wonder what is being made from them, we often get messages about quilts being stitched together with various tonal colours, curtains ready to be part of daily life or dresses being sewn to be worn to the next big event, so if you ever make anything from our fabrics- whether it be a huge project or a tiny one made of our scrap bundles, do let us know what you make! 🪡🧵
Can you name the designs within the photo? All sold by the half meter, £18.50 per metre of cotton, £20.50 per metre of heavyweight cotton 🫶🏻
•
•
•
#williammorris #wmorris #morrisfabric #floralfabric #quiltingcotton
Mid week tables require; a vase of gorgeous fresh flowers, as many sweet treats as you can get your hands on, and of course, a gorgeous tablecloth set- this Willow Bough blue is one of our all time favourite William Morris designs, it’s utterly timeless and so beautiful 🌿
〰️
The table details;
Willow Bough blue napkins- £16.99
Willow Bough tablecloths- starting at £29.99 depending on size 
•
•
•
#williammorris #williammorrisdesign #willowbough #englishdesign #myfloralhome
A little update from us 🇬🇧
From 1st July, our product prices will be increasing due to continued rises in manufacturing and material costs.
We’ve worked hard to absorb these increases for as long as possible, but to continue providing the quality you expect from us, a small price adjustment is now necessary.
Every product we create is proudly printed and manufactured here in the UK, using high-quality materials and processes that ensure a finish we’re proud of. Our fabrics are all digitally printed to give a crisp finish.
If you’ve been thinking about placing an order, now is the perfect time — all orders placed before 1st July will be at our current prices.
To thank you for your support, we’re offering an exclusive discount before the new prices take effect.
Use code: thankyou
Enjoy 10% off your order until 14th June
This is the perfect opportunity to place your order at current prices and enjoy an additional saving before the increase.
Thank you for supporting a UK small business and for choosing quality. We truly appreciate every order ❤️
•
•
•
#uksmallbiz #madeintheuk #williammorris #fabricstore #floralfabric