FAQs

Your Cart

Close
Paper Plane Your order qualifies for free standard delivery
Subtotal £0.00
Delivery £0.00
Order Total £0
Checkout Securely

Edward Burne-Jones

21st August 2018

Edward Burne-Jones, born on the 28 August 1833, was a British artist and designer, heavily involved in the later Pre-Raphaelite movement. A lifelong friend and colleague of William Morris, he was a founding partner in Morris, Marshall, Faulkner & Co. his main passion was the revival of stained glass and the production of stained glass as an art form in Britain. Today, there remains an impressive collection of his stained glass around England; St Martin in the Bull Ring in Birmingham, Christ Church, Oxford, Cumbria – the church designed by Philip Webb, St.Edward the Confessor Church at Cheddleton Staffordshire to name only a few.

His earlier work shows an influence of Dante Gabriel Rossetti – he looked up to him along with Morris and Philip Webb, though by the 1860s, he had developed his own style within his work which by this point has his own distinct tone. Along with his painting and stained glass work, he was also involved with ceramic tiles, jewellery, creating tapestries and mosaics. He even tried his hand on book illustrations and designed the woodcuts for Kelmscott Press’s Chaucer in 1896. 

But before we get to that… let’s go back to the beginning. Born in Birmingham, his story with William Morris began when they met when he attended Exeter College in Oxford, studying theology. Bonding quickly over their shared interest in poetry, he brought Morris into his friendship group from home; which included John Ruskin and Tennyson, who were known as the ‘Birmingham Set’ and then dubbed themselves ‘The Brotherhood.’ During this time, none of the men knew Rossetti but simply looked up to his work and beliefs. It was even Rossetti’s influence that led Burne-Jones away from the path he was on to be a church minister as he inspired him to follow his passion to become an artist. 

We can get an insight into this period when they were building a friendship with their idol Rossetti from a letter dated February 1857 written by Rossetti and written to his friend William Bell Scott.  “Two young men, projectors of the Oxford and Cambridge Magazine, have recently come up to town from Oxford, and are now very intimate friends of mine. Their names are Morris and Jones. They have turned artists instead of taking up any other career to which the university generally leads, and both are men of real genius. Jones’s designs are marvels of finish and imaginative detail, unequalled by anything unless perhaps Albert Dürer’s finest works.”

Burne-Jones married Georgiana MacDonald at 1860, the sister of one of his school friends, they had a son Philip in 1861 but tragically lost their second son in the winter of 1864 during the winter when he contracted scarlet fever; Georgiana was very ill at this time too. They moved after she had recover to 41 Kensington Square and had a daughter in 1866, they named her Margaret. 

In 1861, when William Morris found Morris, Marshall, Faulkner & Co. with friends Rossetti, Burne-Jones, Ford Madox Brown and Philip Webb as partners in the decorative arts firm. They wanted to work together to all showcase their talents; carving, stained glass, metal work, paper-hangings, chintzes and carpets. Each partner (plus Charles Faulkner and Peter Paul Marshall) had their speciality, Burne-Jones in particular was talented with stained glass. 

Many churches around the United Kingdom feature stained glass and this sector was a huge part of their business. The work they showed at the 1862 International Exhibition really boosted them into recognition and within a few years they were flourishing. Their two notable commissions was at the South Kensington Museum (today the Victoria and Albert) in 1867 and St. James’s Palace in the late 1860s which we were lucky enough to see for ourselves! In 1871, Morris & Co. were to design the windows at All Saints, designed by Burne-Jones for Alfred Baldwin, his wife’s brother in law. Even after the firm dissolved and relaunched as Morris & Co. in 1875, Burne-Jones continued to design for their stained glass projects and also tapestries. 

We have so many blog posts on the Pre-Raphealites and William Morris, so make sure to check them out to learn more about their lives and work. 

Related Articles

Post Title

Alan Carr and William Morris!

We hope you've all had a very Merry Christmas, we had some wonderful times with friends and family and whilst relaxing with a box of...

Post Title

Born on this day: Philip Webb

Born on this day in 1831, he was an architect, designer and long time close friend with William Morris; the two worked together many times throughout...

Post Title

Memories of America

On a touring holiday through New York State and New England last year, I purchased various beads in different places along the way.  Once home,...

Gorgeous Mallow Forest Green in the sunshine this week ☀️ Our heavyweight fabric is so versatile with so many crafts, what will you make? 🧵
•
•
•
#williammorris #williammorrisdesign #williammorrisfabric #greenfloral #craftingfabrics
Wrap an order with us for a custom bundle of some wedding table linens 🌿 These Mallow Forest Green napkins and a custom table runner are now on their way to a customer to adorn their wedding tables, we’re so pleased to be involved in the tables of a few weddings this year! 🤍 If you are looking for gorgeous timeless William Morris florals for your tables, get in touch we’d love to discuss it with you ✨ 
•
•
•
#williammorris #weddingtablescape #weddingtables #weddinglinens #weddingtablescape
It’s coming home! 🏴󠁧󠁢󠁥󠁮󠁧󠁿 To celebrate, take 15% off our website all weekend with code: HOME at checkout ⚽️ Hurry it ends Tuesday 🌿
•
•
•
#williammorris #england #itscominghome⚽️ #britishbusiness #floralprint
Have you seen our forest green colourways of Mallow and Brother Rabbit? 🌿 We brought them out last year and were so happy that they’re ever so popular with everyone 💚 This week we’ve also got a 10% discount running on our website with code: floralsummer 🌅
•
•
•
#williammorris #williammorrisfabric #wmorris #williammorrisdesign #preraphaelite
A moment for the greens! 💚 Can you name all these beautiful green William Morris designs? 🌿 All digitally printed here in the UK 🇬🇧 The good thing seeing them all together is you can see which work together for a sewing project or quilt, or layered together for your next tablescape! 🫧
•
•
•
#williammorris #williammorrisdesign #williammorrisfabric #preraphaelites #floralfabrics
Did you know we do bundles of our fabric offcuts? 🌿 Perfect for sewer and quilters, they’re various sizes and designs and available on our Etsy and website - this is our latest “almost fat quarter” bundle that all are almost 50cm pieces, you could even make double sided cushions or anything! What would you create? 🪡🧵 (message us if you’d like a link to our bundles!🫧)
•
•
•
#williammorris #fatquarters #fatquarterbundle #preraphaelite #quiltingcotton
When cutting fabric stacks, we always wonder what is being made from them, we often get messages about quilts being stitched together with various tonal colours, curtains ready to be part of daily life or dresses being sewn to be worn to the next big event, so if you ever make anything from our fabrics- whether it be a huge project or a tiny one made of our scrap bundles, do let us know what you make! 🪡🧵
Can you name the designs within the photo? All sold by the half meter, £18.50 per metre of cotton, £20.50 per metre of heavyweight cotton 🫶🏻
•
•
•
#williammorris #wmorris #morrisfabric #floralfabric #quiltingcotton
Mid week tables require; a vase of gorgeous fresh flowers, as many sweet treats as you can get your hands on, and of course, a gorgeous tablecloth set- this Willow Bough blue is one of our all time favourite William Morris designs, it’s utterly timeless and so beautiful 🌿
〰️
The table details;
Willow Bough blue napkins- £16.99
Willow Bough tablecloths- starting at £29.99 depending on size 
•
•
•
#williammorris #williammorrisdesign #willowbough #englishdesign #myfloralhome
A little update from us 🇬🇧
From 1st July, our product prices will be increasing due to continued rises in manufacturing and material costs.
We’ve worked hard to absorb these increases for as long as possible, but to continue providing the quality you expect from us, a small price adjustment is now necessary.
Every product we create is proudly printed and manufactured here in the UK, using high-quality materials and processes that ensure a finish we’re proud of. Our fabrics are all digitally printed to give a crisp finish.
If you’ve been thinking about placing an order, now is the perfect time — all orders placed before 1st July will be at our current prices.
To thank you for your support, we’re offering an exclusive discount before the new prices take effect.
Use code: thankyou
Enjoy 10% off your order until 14th June
This is the perfect opportunity to place your order at current prices and enjoy an additional saving before the increase.
Thank you for supporting a UK small business and for choosing quality. We truly appreciate every order ❤️
•
•
•
#uksmallbiz #madeintheuk #williammorris #fabricstore #floralfabric