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21st August 2018
Edward Burne-Jones, born on the 28 August 1833, was a British artist and designer, heavily involved in the later Pre-Raphaelite movement. A lifelong friend and colleague of William Morris, he was a founding partner in Morris, Marshall, Faulkner & Co. his main passion was the revival of stained glass and the production of stained glass as an art form in Britain. Today, there remains an impressive collection of his stained glass around England; St Martin in the Bull Ring in Birmingham, Christ Church, Oxford, Cumbria – the church designed by Philip Webb, St.Edward the Confessor Church at Cheddleton Staffordshire to name only a few.
His earlier work shows an influence of Dante Gabriel Rossetti – he looked up to him along with Morris and Philip Webb, though by the 1860s, he had developed his own style within his work which by this point has his own distinct tone. Along with his painting and stained glass work, he was also involved with ceramic tiles, jewellery, creating tapestries and mosaics. He even tried his hand on book illustrations and designed the woodcuts for Kelmscott Press’s Chaucer in 1896.
But before we get to that… let’s go back to the beginning. Born in Birmingham, his story with William Morris began when they met when he attended Exeter College in Oxford, studying theology. Bonding quickly over their shared interest in poetry, he brought Morris into his friendship group from home; which included John Ruskin and Tennyson, who were known as the ‘Birmingham Set’ and then dubbed themselves ‘The Brotherhood.’ During this time, none of the men knew Rossetti but simply looked up to his work and beliefs. It was even Rossetti’s influence that led Burne-Jones away from the path he was on to be a church minister as he inspired him to follow his passion to become an artist.
We can get an insight into this period when they were building a friendship with their idol Rossetti from a letter dated February 1857 written by Rossetti and written to his friend William Bell Scott. “Two young men, projectors of the Oxford and Cambridge Magazine, have recently come up to town from Oxford, and are now very intimate friends of mine. Their names are Morris and Jones. They have turned artists instead of taking up any other career to which the university generally leads, and both are men of real genius. Jones’s designs are marvels of finish and imaginative detail, unequalled by anything unless perhaps Albert Dürer’s finest works.”
Burne-Jones married Georgiana MacDonald at 1860, the sister of one of his school friends, they had a son Philip in 1861 but tragically lost their second son in the winter of 1864 during the winter when he contracted scarlet fever; Georgiana was very ill at this time too. They moved after she had recover to 41 Kensington Square and had a daughter in 1866, they named her Margaret.
In 1861, when William Morris found Morris, Marshall, Faulkner & Co. with friends Rossetti, Burne-Jones, Ford Madox Brown and Philip Webb as partners in the decorative arts firm. They wanted to work together to all showcase their talents; carving, stained glass, metal work, paper-hangings, chintzes and carpets. Each partner (plus Charles Faulkner and Peter Paul Marshall) had their speciality, Burne-Jones in particular was talented with stained glass.
Many churches around the United Kingdom feature stained glass and this sector was a huge part of their business. The work they showed at the 1862 International Exhibition really boosted them into recognition and within a few years they were flourishing. Their two notable commissions was at the South Kensington Museum (today the Victoria and Albert) in 1867 and St. James’s Palace in the late 1860s which we were lucky enough to see for ourselves! In 1871, Morris & Co. were to design the windows at All Saints, designed by Burne-Jones for Alfred Baldwin, his wife’s brother in law. Even after the firm dissolved and relaunched as Morris & Co. in 1875, Burne-Jones continued to design for their stained glass projects and also tapestries.
We have so many blog posts on the Pre-Raphealites and William Morris, so make sure to check them out to learn more about their lives and work.
Posted in News by Laura
Halloween but make it chic ✨ We love that our William Morris tablecloths can be dressed for every season, one purchase styled various ways year round 🌱☀️🍂❄️
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#strawberrythief #williammorris #williammorrisdesign #halloween #autumntablescape
Happy Halloween! 🎃 Use code; TREAT on our website for the last day of 15% off 👻 Don’t these colours just work together beautifully, our licensed William Morris Mallow Forest Green was a new colour way we brought out last Christmas, and we’ve used all year round it’s the perfect green ✨
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#williammorris #wmorris #williammorrisdesign #floraldesigns #autumntable
Team matching or team mix and match? 👻👇
Our napkins come in packs of 4, but if you’re a maximalist at heart, have a look at our sale section. We have packs of 1 and 2, so you can build your own beautifully mismatched set 🌸🎃
Shop via the link in bio.
#williammorris #maximalisthome #tablescape #halloweentable #laurasbeau
Cotton or heavyweight cotton? Here’s how to choose 🧵✨
All of our fabrics are licensed William Morris designs, digitally printed here in the UK. We offer two weights, so you can pick the right one for your project:
🌿 Cotton
Lighter, softer and easy to sew. It drapes beautifully and is perfect for:
- Dressmaking, like skirts, blouses and shirts
- Quilting and patchwork
- Pillowcases and bedding
- Bunting, lavender bags and small crafts
- Lightweight curtains
🌿 Heavyweight cotton
Thicker and sturdier, It holds its shape and stands up to light upholstery use, so it’s ideal for:
- Cushion covers
- Curtains and roman blinds
- Light upholstery, like chair seats and headboards
- Tote bags and aprons
- Tablecloths and placemats
Not sure which you need? Send us a message and we’ll happily help 💛
Shop by the half metre via the link in bio.
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#williammorrisfabric #cottonfabric #upholsteryfabric #quiltingfabric #laurasbeau
Re-introducing Charlotte Rose 🌹
Our very own design, taken from our French archive of late 1800s to early 1900s prints. We fell in love with these delicate sprigs of tumbling roses and just had to bring them back to life 💕
You can buy her ready-made as a tablecloth and napkins, or by the half metre if you’d like to make something of your own 🧵
Pretty, romantic, and made for long lunches and special occasions 🥂 Link in bio to shop. #charlotterose #frenchvintage #floraltablecloth #tablescape #laurasbeau
Your Strawberry Thief, cut to order ✂️🍓
Every order is measured and cut to order. We sell it by the half metre, so it’s ideal for small projects or big makes. It’s a licensed William Morris design, digitally printed in the UK ✨
Order yours via the link in bio 💛
#strawberrythief #williammorris #fabricbythemetre #sewingfabric #laurasbeau
Who else loves making their own cards and gifts? ✂️🧵
This sweet anniversary bunny was made with little scraps of our William Morris fabric. It’s proof that even the smallest offcuts can become something really special 💛
With Halloween around the corner and Christmas not far behind, now’s the perfect time to get crafting 🎃🎄 Think appliqué cards, fabric gift tags, lavender bags, bunting, Christmas tree decorations and pretty wrapping for presents 🎁
A handmade gift will always mean so much with the thought and time gone into it, but be sure to start well in advance so you’re not frantically sewing on Christmas Eve! ✨
What are you making this season? Let us below 👇 #handmadecards #fabriccrafts #williammorris #handmadechristmas #laurasbeau
Ever wondered why our fabrics look so good up close? 🔍✨
Every one of our William Morris designs is digitally printed and manufactured right here in the UK, and here’s why we love it:
🎨 Incredible detail. Every tiny petal, berry and feather comes out crisp and true to the original design. The colours are consistent and gorgeous.
🌈 Rich, accurate colours that stay just as vibrant as the artwork intended when Morris designed them
🌿 Kinder to the planet. Digital printing typically uses far less water than traditional methods, and we print in smaller batches, so there’s less waste.
🇬🇧 Supporting British makers. A shorter supply chain means we keep skills, jobs and quality close to home.
It’s a modern way to bring timeless designs into your home 💛
Shop via the link in bio. #digitalprinting #madeinbritain #williammorris #sustainablefabric #laurasbeau
Autumn is in full swing at ours 🍂
We’ve brought the season indoors with blackberries, rosehips and the last of the hydrangeas, set against our Strawberry Thief fabric. This licensed William Morris design is digitally printed and manufactured in the UK 🇬🇧
Those cheeky little thrushes look right at home among the berries! 🐦🍓
Shop via the link in bio 💛 Three sizes of tablecloth available - 147cm round, 132 x 178cm and 132 x 229cm ☺️. #strawberrythief #williammorris #autumntablescape #madeinuk #laurasbeau
What are you all dressing up as for Halloween? This was last years costume for Bertie, what can he be this year? 🎃🖤
He’s lounging on our Compton fabric, a licensed William Morris design printed in the UK. A pumpkin with good taste!
Tell us your costume plans below 👇#halloweendog #blacklab #williammorris #comptonfabric #laurasbeau
What would you make with this fabric? 🧵
Our Golden Lily heavyweight fabric is a licensed William Morris print, printed in the UK, and it’s a dream to sew with. Cushion covers, roman blinds, tote bags, a reupholstered chair… tell me in the comments what you`d make👇
Available now, we sell it by the half metre for £13.25
#sewingproject #upholsteryfabric #williammorris #printedinuk #laurasbeau
Setting up for an evening of crafting ✂️ These 20cm x 20cm squares we sell as bundles of 5 fabric pieces, they’re perfect for smaller crafts, what would you make from them? 🪡🧵
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#crafting #girlscraftnight #craftnight #fabricstash #williammorris
Cosy Sunday season is here 🕯️ anyone else constantly got a candle burning and a grazing board on the table at the moment? 🎃
On the table, we’ve got our beautiful Mallow Wine licensed William Morris design, a staple year round but especially this time of year 🤍
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#williammorris #williammorrisdesign #onthetable #tablescape #florals
October is for treating ourselves all month right? 👻 On the table is our gorgeous William Morris licensed Mallow Wine design, this time of year it’s rarely off the table! 🤍
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#williammorris #autumntable #autumntablescape #countrykitchen #wmorris
A fabulous way to display your best new tea towel; a tea towel bow 🎀 I’ve been doing these a lot lately, but I’m so excited for how festive they’ll look for the coming season! ✨
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#williammorris #wmorris #strawberrythief #smallbusiness #countrykitchen
We’re making some new fat quarter bundle sets for the website, let us know any combinations you’d like to see! ✨ We know lots of quilters like colour combos to match, do you prefer like colours or clashing? 🫶🏻
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#williammorris #wmorris #fatquarters #fatquarterbundles #quilterofinstagram
Autumn gardens are upon us! 🍂 anyone else just constantly brushing up leaves? 🙆🏽♀️ These Compton William Morris tea towels are our favourites this time of year, the digital print on them is so crisp 👌🏼
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#williammorris #compton #cottagekitchen #farmhousekitchen #autumngarden
New product! 🩷 Our Charlotte Rose French floral design is so beautiful, it’s from our French floral archive and we’ve just decided to do tea towels in it in time for the season of gifting 🎁 £10.99 each, available now on our website ✨
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#frenchflorals #frenchstyle #countrykitchen #countrystyle #countrystylehome
Bringing back the pumpkin napkin fold 🎃 Anyone want a tutorial on how to do it? ⭐️
This is our licensed William Morris Compton design, isn’t it gorgeous 🍂
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#williammorris #williammorrisdesign #compton #autumntable #napkinfolding
All printed in the UK, these are the licensed William Morris designs we cut today- can you name them all? ✨
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#williammorris #williammorrisfabric #fabrics #wmorris #smallbusiness
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